Amigó 42 Studios is my home base in Barcelona: a ground-floor room built around real Hammond organs, Leslie speakers and vintage keyboards — meant for making music in the room together, not only for sending tracks across the wire. I also work here as a recording and mixing engineer on projects tracked and finished in the space, alongside my playing and teaching.
Week to week it’s a place to practise and rehearse, to host sessions with other musicians, to track albums and to develop productions for other artists. Dozens of players have passed through over the years; many of my current projects took root here or keep growing between the same walls — alongside recording and mixing engineering, Hammond lessons on real instruments, masterclasses and organised remote keyboard work.
What I track remotely
Organised remote sessions for Hammond, Rhodes, Clavinet and related textures — clear briefs, dry stems or treated sends, and dialogue with your production.
Fiverr remains a practical booking channel for well-scoped keyboard packages (audio, reviews, packages). Use the contact form when the project needs a bespoke conversation first.
The Fiverr gig gathers audio examples, verified reviews and clear packages — ideal for focused remote keyboard parts. Use Contact when the scope is bespoke, you want to line up live and studio work, or you prefer to talk through the project before the first take.
Song or stems, references, key, tempo and what you imagine for the keys.
I reply within about 24 hours to align what you need and timing. For straightforward remote jobs, the Fiverr page carries demos and the usual workflow.
I record at Amigó 42 and send a preview before the final delivery.
High-resolution files ready to drop into your mix.
4.9 ★ on Fiverr Pro — verified reviews from producers and artists.
In-person Hammond organ lessons in Barcelona, on real instruments, with two Hammonds in the room: you play a real Hammond while I teach from the other one.
This is the main and most distinctive offer: you sit at a real Hammond organ with Leslie speaker, drawbars and expression pedal, while I teach from another Hammond in the same room.
We work on touch, registration, time feel, trio language, walking lines, blues and gospel phrasing, soul-jazz repertoire and improvisation — always through the electromechanical sound itself, not only through theory about it.
Remote lessons for players anywhere who want to deepen Hammond organ language: jazz organ, blues, gospel, soul-jazz, voicings, comping, improvisation, repertoire, clonewheel technique, drawbar settings and organ sound design.
Online consulting for keyboard players, musicians and producers who need practical help with Hammond sounds, clonewheel setups, Leslie speakers, vintage keys, recording chains, drawbar registrations, live rigs or choosing and buying gear.
We can also work on:
Educational events I organise or host at Amigó 42 — focused labs, not normal concerts. Each event has one canonical detail page.
Hammond organ, groove and rhythm section interaction
Event detailsGround-floor room in Barcelona for tracking and keeping electromechanical keyboards in real playing condition.
A ground-floor working room in Barcelona: rehearsals and sessions between musicians, album recording and mixing, and production work for other artists share the calendar with remote keyboard tracking — Hammonds and Leslies kept in real playing condition, not as display pieces.
Sessions here feed records on Third Man Records, The Shu Shu’s, collaborations with Muriel Grossmann and Scaramanga, and many remote productions sent from the same desk.
Lessons, masterclasses, recording, mixing or remote sessions — one contact path.